Music is the soul of these people, their life, their nationality. There are undoubtedly musicians in other countries who enjoy a reputation equal to that of the greatest Italian celebrities, but there is no musical people like this. Music is represented here in Italy not by individuals, but reveals itself in the whole population: music has become the people itself. In Heinrich Heine’s Florentine Nights, these statements emerge from the continuous flow of words and stories with which Maximilie..
Rossini’s Italian operas enjoyed enormous success when they first appeared in early nineteenth-centu...
I investigate the consequences of long-run persistence of a society's preferences for cultural goods...
For centuries, the city of Naples was a meeting point for musicians from different parts of Italy an...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
Insofar as it is readily understood, music has often proved to be an easily exportable cultural asse...
The most powerful incentive in the study of Italian is undoubtedly the Italian culture and music at ...
Since May 24th, 2013 the Musici Database is online. It contains information on Europan musicians in ...
In the first half of the nineteenth century, the Casa dei Matti in Aversa and Palermo were renowned ...
Italian musicologists have hitherto shown scant interest in the music historiography of the nineteen...
In this article German contributions to periodicals of the International Musicological Society focus...
In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitt...
Il testo fornisce alcune definizioni di "Music migrations" attraverso la letteratura musicologica in...
For centuries, the city of Naples was a meeting point for musicians from different parts of Italy an...
For centuries, the city of Naples was a meeting point for musicians from different parts of Italy an...
Rossini’s Italian operas enjoyed enormous success when they first appeared in early nineteenth-centu...
I investigate the consequences of long-run persistence of a society's preferences for cultural goods...
For centuries, the city of Naples was a meeting point for musicians from different parts of Italy an...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
Insofar as it is readily understood, music has often proved to be an easily exportable cultural asse...
The most powerful incentive in the study of Italian is undoubtedly the Italian culture and music at ...
Since May 24th, 2013 the Musici Database is online. It contains information on Europan musicians in ...
In the first half of the nineteenth century, the Casa dei Matti in Aversa and Palermo were renowned ...
Italian musicologists have hitherto shown scant interest in the music historiography of the nineteen...
In this article German contributions to periodicals of the International Musicological Society focus...
In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitt...
Il testo fornisce alcune definizioni di "Music migrations" attraverso la letteratura musicologica in...
For centuries, the city of Naples was a meeting point for musicians from different parts of Italy an...
For centuries, the city of Naples was a meeting point for musicians from different parts of Italy an...
Rossini’s Italian operas enjoyed enormous success when they first appeared in early nineteenth-centu...
I investigate the consequences of long-run persistence of a society's preferences for cultural goods...
For centuries, the city of Naples was a meeting point for musicians from different parts of Italy an...